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Deeper Than Reason: Emotion and Its Role in Literature, Music, and Art

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Emotion & Motivation: Literature Review of Emotion and Music Research | psueef

Narcolepsy is a chronic sleep disorder characterized by excessive daytime sleepiness, cataplexy, hypnagogic hallucinations, and sleep paralysis. This disease affects significantly the overall patient functioning, interfering with social, work, and affective life. Some symptoms of narcolepsy depend on emotional stimuli; for instance, cataplectic attacks can be triggered by emotional inputs such as laughing, joking, a pleasant surprise, and also anger. Neurophysiological and neurochemical findings suggest the involvement of emotional brain circuits in the physiopathology of cataplexy, which seems to depending on the dysfunctional interplay between the hypothalamus and the amygdala associated with an alteration of hypocretin levels. Furthermore, behavioral studies suggest an impairment of emotions processing in narcolepsy-cataplexy NC , like a probable coping strategy to avoid or reduce the frequency of cataplexy attacks. Consistently, NC patients seem to use coping strategies even during their sleep, avoiding unpleasant mental sleep activity through lucid dreaming.
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Effects of Music on Emotion Regulation: A Systematic Literature Review

Skip to search form Skip to main content You are currently offline. Some features of the site may not work correctly. Uhlig and A. Jaschke and E.
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In his seminal paper, Gabrielsson distinguishes between emotion felt by the listener, here: "internal locus of emotion" IL , and the emotion the music is expressing, here: "external locus of emotion" EL. The key findings were that 1 IL rating was frequently rated statistically the same or lower than the corresponding EL rating e. These key findings were explained by an "inhibited" emotional contagion mechanism, where the otherwise matching felt emotion may have been attenuated by some other factor such as social context. Matching between EL and IL for loved and self-selected pieces was explained by the activation of "contagion" circuits. Physiological arousal, personality and age, as well as musical features tempo, mode, putative emotions also influenced perceived and felt emotion distinctions.
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