Thousands of people have visited the memorial site, conspiracy theories continue to proliferate and for many the sense of loss is still visceral. After 15 years, the terrorist attack that destroyed the Twin Towers of the World Trade Center in New York continues to capture the imagination. One medium that has had substantial critical attention has been the novel. And we can learn much from this attention.
Don DeLillo: the terror of Sept 11 Books The Guardian
When the news broke out that the military successfully neutralized the most wanted terrorists since the September 11 attacks on the World Trade Center, there was a wave of excitement, thrill, tears and patriotic riots in front of the White House. The literary representations quickly ensued, as there have been more than thirty novels dealing in their own way with the aftermath the tragedy, exploring emotional, social, religious aspects, by authors such as Nicholas Safran Foer, John Updike, Moshin Hamid, Jay Mcinerney, and Don DeLillo. Its title begins to open the door to the answers we are supposed to find. The image that the title evokes is the banned photograph of a man free falling from the north tower of the World Trade Center, a horror captured in time. There are different falls that structurally and emotionally support the novel, as the discussion will show. What isolates DeLillo from his fellow contemporaries fictionalizing the same topic is his interest in the attacker, namely, the aspect of terrorism. The perspective, that in this novel has a name, acts as a catalyst, a horrific tool used to construct a border between the old and the new.
Don DeLillo Essay
Donald Richard DeLillo born November 20, is an American novelist, short story writer, playwright, screenwriter and essayist. His works have covered subjects as diverse as television, nuclear war , sports, the complexities of language, performance art, the Cold War , mathematics, the advent of the digital age, politics, economics, and global terrorism. DeLillo was initially a well-regarded cult writer, but the publication of White Noise in brought him widespread recognition, and he won the National Book Award for fiction.
I n the past decade the surge of capital markets has dominated discourse and shaped global consciousness. Multinational corporations have come to seem more vital and influential than governments. The dramatic climb of the Dow and the speed of the internet summoned us all to live permanently in the future, in the utopian glow of cyber-capital, because there is no memory there and this is where markets are uncontrolled and investment potential has no limit. All this changed on September